Photography and Arts

Artefacts worth $3.2m stolen from Durham University’s Oriental Museum


Chinese artefacts with an estimated combined value of £2m ($3.2m) have been stolen from Durham University's Oriental Museum, authorities said on Saturday.

Durham police said two men and a woman from the West Midlands area have been arrested in connection with the Thursday night theft, but the items have not yet been recovered.

Priceless Artefacts

The northern England-based university confirmed that two "priceless" artefacts were stolen when thieves broke into a ground-floor gallery at the museum: A large jade bowl with a Chinese poem written inside that dates back to 1769, and a Dehua porcelain sculpture.

"We are extremely upset to have fallen victim to such a serious crime," said Craig Barclay, the museum's curator, in a statement.

"The two pieces are highly significant in that they are fine examples of artefacts from the Qing Dynasty."

Police said in a statement that they are still trying to locate "several outstanding suspects". The museum will be closed until further notice, the university said.

- AP

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Agreement reached on display of Irma Stern’s Arab Priest in Qatar and South Africa

On the 27th of October we shared a post titled Denial of permit for Irma Stern artwork highlights complexities in the art industry. We are pleased to report that an agreement has been reached for the display of this painting both locally and abroad:

Speech by Honourable Minister Paul Mashatile, Minister of Arts and Culture, South Africa on the launch of Arab Priest exhibition, delivered by the Director General, Sibusiso Xaba

Irma Stern's Arab Priest

28 March 2012

His Excellency, Dr. Al Shirawi
Ambassador of Qatar to South Africa

The Chairperson, members of council and CEO of Iziko Museums of Cape Town
The Chairperson, members of council and CEO of the South African Heritage Resources Agency
The Chairperson and Members of the Archaeology, Palaeontology, Meteorites, Heritage Objects and Burial Sites Permit Committee of Sahra,
as well as
the Chairperson and members of SAHRA’s Artworks Specialists Advisory Panel
The Members of the Appeal Panel
The Members of the Irma Stern Trust and Irma Stern Museum
The Director of the Qatar Museums Authority
Honoured guests
Ladies and Gentlemen:

This is a very special day in the history of the management of national heritage resources in South Africa.

We gather in this space, Iziko Museums’ National Gallery, which collects, conserves and exhibits artworks that are of significance to the South African nation.

This is the most important public collection of artworks of significance to the South African nation.

We congratulate Iziko for the strides that have been made in recent years in this National Gallery towards realising that goal.

We recognise that it is important that there be an international market in South African art and that South African artworks cannot be restricted to the shores of South Africa. As South Africans, we are part of the world, and we are proud that works of art by our artists have much to show the world.

The increasing internationalisation of South African art is a natural and normal process that is part of the process of making us all cosmopolitan and belonging to the world.

However, an artwork held or acquired privately because of its aesthetic value and financial value (as an investment) may also be of significance to the South African nation from a heritage point of view. An artwork may be significant because of the artist, the subject matter, and/or the aesthetic qualities of the work.

In some cases, to have it permanently leave the shores of South Africa might deprive the South African nation of access to the artwork. It will also remove the artwork from the purview and jurisdiction of South African law, and from the jurisdiction of SAHRA and its mandate to manage the national estate.

These are very difficult and challenging issues to balance on an ongoing basis. We are thus grateful to SAHRA, its permit committee and its Art Specialists Advisory panel for engaging in this difficult challenge.

Incidentally it was the advice provided by the Art Specialists Panel that rescued the only signed copy of the Freedom Charter from permanent export from South Africa during 2010. The whole country was anxious and was abuzz when the heard about the likelihood of us losing this important specimen of our long walk to freedom. But, with the support of Lilliesleaf the Freedom Charter was purchased and forms part of our prize diamonds.

But we recognise that the challenge to retain artworks of significance to the nation is a very difficult one, because often these artworks cost enormous sums on the international market, which at present we may not always have access to.

The case of Irma Stern’s ‘Arab Priest’, which we are about to see, represented a challenging case, which became subject to the permit application and appeals process under the National Heritage Resources Act.

We are very pleased that this exhibition of ‘Arab Priest’ held in Iziko South African National Gallery today is held as part of an agreement between Qatar and South Africa, between the Qatar Museums Authority and SAHRA.

In terms of this agreement, for 20 years, QMA is able to hold the painting in Qatar and outside South Africa on a temporary basis. And every 5 years ‘Arab Priest’ will come back and be available for an exhibition to the people of South Africa. SAHRA must thrive to fulfil its mandate of restricting the permanent exhibition of our major works as art expresses what words cannot and allows the audience to understand the soul and history of a country at a particular period.

We are grateful to all parties, and especially to the QMA for engaging in this matter in a spirit of compromise and international co-operation. As a result of this ‘Arab Priest’, as part of South Africa’s National Estate, will be available to be seen internationally as well as in South Africa, by the people of South Africa.

I thank you.

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Why is it so difficult to find short term insurance for a very short time?

I have recently been asked whether it is possible to find insurance to cover camera equipment for only 2 days. A very close friend has discovered his passion for photography and wished to capture the rugby at Loftus with some of the more expensive equipment. He rented the equipment  - worth approximately R100,000 in value and wished to insure this for the 2 days before returning the equipment.

I approached several insurers and would like to extend a word of appreciation to OUTsurance, Hollard and Discovery Insure for providing some answers with insights as to the difficulty in finding insurance for such a short time.

I would like to share some of the most important comments received:

What are the problem areas making such insurance difficult and expensive?

  • The risk with insuring for such a short period is that there is no history on the item
  • It is difficult for the insurer to determine an appropriate premium for such a short period.
  • There is a perceived higher risk of damage or negligence to an item that is not owned.

Insurance to cover items rented out

Normally the company hiring out the equipment would have business insurance which would cover the item whilst it is on loan to you. A good example is car hire, where the insurance for the car hire is normally provided for by the hire company and they charge the client explicitly for this insurance. When hiring the equipment it is worth it to ask the company whether or not they have insurance as usually they do.

It might be worthwhile to consider the insurance options offered by the equipment renting company. Unfortunately this could be fairly expensive with a first amount payable.

Is there an insurable interest?

In the example mentioned there would be insurable interest as the person renting the items would suffer financially if the items were damaged or stolen. Generally insurers will give cover provided that you have an existing short term insurance policy with the relevant insurer.  If you don’t have an existing policy they could say ‘no’ or charge an excessive premium for the insurance.

Most insurers would only provide the cover if you have an existing policy with such an insurer.

If this is purely a hobby and not a commercial endeavour and you have an existing domestic policy, the lenses could be added to the same for a short-period.

OUTsurance confirmed that for business clients, where they might rent items for a particular event, it could be covered under Commercial Out and About or stock.

Camera Insurance Solution:

My friend managed to add these items under an existing policy. We would like to share confirmation received from his insurer:

As per our telephonic conversation, is noted that we are holding cover on camera equipment on a no claim no pay basis for the period of 24/03/2012 - 26/03/2012. Please note that in the event of a claim on the Canon 40mm F2.8 the excess will be R1000.

Equipment breakdown -

•             Canon 7D Body - Valued at R 15,000.00

•             Canon 400mm F2.8 - Valued at R 97,000.00

•             Nikon 70 - 200 F2.8 - Valued at R 24,000.00

The interest of ODP - Outdoor Photo is noted.

In the event of a claim, the premium due will be R 566.67 for the above mentioned equipment.

Should you require any further assistance or have any queries, please don't hesitate to contact us.

Advice and suggestions:

In order to get the items covered, it is best to contact your insurance company and arrange the cover. They will determine an appropriate price for the items and period of cover, which will then enable you to decide to accept or decline the offer of insurance.

It is always best to build up a solid insurance portfolio with an insurer and maintain a long standing and as far as possible claims free history. Your insurer will always keep this in mind the next time you wish to add equipment to your insurance portfolio and may be able to provide you with affordable premiums.

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Smile – but only if your camera and equipment are insured!!

Zoom in on Camera Insurance even if you care for your equipment!!

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Phototalk.co.za

It is our pleasure to include 2 photos captured by my friend James Loretz from Rugby15 with the above equipment:

Photo of passionate spectators at Loftus in photo by James Loretz/ Rugby15

Focused attention by Morne Steyn in photo by James Loretz / Rugby15

When do you rather save a bottle of whiskey than your camera?


The answer would most probably be if you know that you are well insured with camera insurance! I came across the following interesting release via SAPA:

"Faced with having to choose between rescuing a rare bottle of Glenlivet Scotch whisky or his camera from the sea, a Pretoria man grabbed the bottle, according to a report on Thursday.

Heinrich Scholtz went to a beach near Mossel Bay last week with his wife Annerien, where they decided to take “arty” photographs of their prize whisky collection, purchased on a trip to Scotland in 2011.

“We bought a number of special bottles at the Bruichladdich distillery on Islay, which you can only buy on the island,” Scholtz told Beeld newspaper.

The 700 ml bottle of Glenlivet was vatted in 1977, and cost Scholtz R1925.

He placed the bottle strategically, so as to best capture the back-lit sun, which created an amber glow.

A few moments later, he was engulfed by a large wave, and had only a split second to choose between rescuing his camera or his Glenlivet.

“The wave took my bottle. I made a grab for it. The water level kept rising,” Scholtz recalled.

His camera got wet, “but I decided I wouldn't move, and would in fact dive in after the bottle if I had to.”

He managed to retrieve the bottle from under a rock, but the camera was water-damaged. - Sapa"

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Phototalk.co.za

Bruichladdich distillery on Islay

How much do we save by having more insurance cover with one insurer?

Are you paying too much for your insurance by having your insurance at many different providers? We have always advised consumers to shop around for savings – and we will continue to do so – but we need to discuss as well the potential savings when you decide to combine insurance cover for several items in one policy contract!

We always buy our groceries, clothing and even household equipment at more than one store - but should we do so with insurance as well?

I have recently purchased a large computer screen and a GoPro camera which I wanted to insure. I have found that it is much cheaper to add this to my insurance profile with my existing insurer than to purchase a new insurance policy just for these items.

The insurance client is often told that it is better to have both home and car insurance with the same insurer – but why is this true what would the saving be?

We could discuss this by answering a few questions and decided to raise them with the experts from OUTsurance:

  • Is it true that there are significant savings if insurance is combined under the umbrella of one insurer?

This is true.  There are definitely savings to be obtained. The amount varies from insurer to insurer and from client to client because of differences in risk profiles.

  • Would the following qualify as possible reasons for such an answer:

That the portfolio size is bigger?

This is certainly a reason.  Having a bigger portfolio usually results in a lower percentage for fixed expenses which can result in a lower premium.

That there is a reduced product cost as it is one client with one policy?

Yes, this is true.

That the insurer has an existing claims record over a longer period in time and that this is taken into account when new items are added?

This could also be a factor taken into consideration.

Is there a special scientific / mathematical formula to determine what should a saving should be?  What would your estimate be of a standard % saving where i.e. a vehicle is added to the portfolio of an insured client with a home and household policy – compared to insuring the vehicle on its own?

Yes, it is calculated but it is not with a simple formula as it depends on the portion of the premium which relates to claims costs v administration expenses. This portion varies widely from client to client due to differing risk profiles.

As such clients would be best advised to contact their insurers to get the accurate amount as opposed to trying to do a simple one size fits all calculation.

Would the same % saving apply to where i.e. equipment of R10,000 is added to an insurance portfolio instead of having to insure R10,000 worth of equipment as a stand-alone insurance policy?

Same applies as with above answer

Are there any other facts that the client might need to consider in favour of having all his insurance at one provider?

Having all items combined with one insurer could also lower your personal admin burden and your bank charges.

Additional insights

We would also like to share some additional insights from Discovery Insure:

Yes it is true that insurers often provide discounted rates if more than one asset class is insured. For example the difference between insuring a car only or a car and other assets such as a house or contents, could be as high as 20% and therefore it is worth clients considering insuring all their assets with one insurer.
Reasons for this difference in rates include:
- There is a fixed cost to insure a client which if spread over more assets allows for a reduction in premium
- Clients that have more assets with an insurer tend to be more loyal and hence an insurer is able to take a longer term view when setting the price of insurance
- Certain classes of assets together will qualify an client for a reduced rate ie if someone has a car only insurer or a car and say a cell phone, this won’t entitle the client for a discount. Normally a minimum sum insured will be required per asset type for a reduced rate to apply
Other considerations include:
- Easy of administration to have all assets insured in the same place. When a claim happens a client only needs to remember one number to call and doesn’t need to worry about which insurer is insuring which assets
- Where a client has multiple insurance policies, there is a risk that there are either gaps in cover or overlaps. For example, taking out buildings insurance from one insurer and household contents from another could result in duplication of cover and a waste of money spent.
- In addition it is worth pointing out that that where a building is the subject of a financing arrangement (bond) it is no longer compulsory for buildings insurance to be held with an insurer nominated by the bank holding the loan. Clients are able to shop around for cheaper cover and usually are able to find cheaper cover. Placing it with the insurer who covers their car and other assets normally is worth exploring.

Conclusion and Advice

The best advice to clients will always be to put some time aside and to do a comprehensive insurance comparison. There might well be items for which you might need specialized insurance cover - such as high performance motorbikes, art, classic cars etc. To find cover for these items you might be best advised to have insurance cover for those items with an insurance provider specialising in that niche market!

It is however usually much cheaper when purchasing new items to add them to your existing insurance than to have them insured on its own with a new insurance product from another insurer.

Add the numbers after careful analysis and make an informed decision – do not pay more than you need to on your insurance cover!

Artinsure announces launch of new website

My friends from Artinsure announced that they have launched a new website which is also well worth sharing on Insurance Chat. They also shared some important dates for all those who are passionate about art in South Africa.

Dates for your diary – 1st Quarter auctions

  • SWELCO: Cape Town: 21st and 22nd January  |  Johannesburg: 25th and 25th April
  • Strauss Art & Co: Cape Town: 6th February
  • Russel Kaplan Auctioneers: Johannesburg: 17th and 18th February
  • Bernardis: Second week in February – Date still to be confirmed
  • 5th Avenue Auctioneers: Johannesburg: 5th February
  • Ashbey’s: 23rd February
  • Rudd’s Auctioneers: 17th January

Art Market beats equities for second year

The art market seems to have successfully held its own, defying the economic gloom of 2011 by outpacing stock market returns for a second consecutive year. The Mei Moses has beaten the S&P 500 in six of the last 10 years, with an average annual return of 7.8 per cent compared with 2.7 per cent for the benchmark US index. 2011 saw record auctions for paintings such Roy Lichtenstein’s I Can See the Whole Room . . . and There’s Nobody in It! which sold at Christie’s in November, making gains in excess of $40m for its seller, who bought it for $2m in 1988. Andy Warhol’s Dollar Sign also made big returns when it sold for twice its estimate at $698,500 having been bought for $27,000 23 years earlier. The relative buoyancy of the art market is encouraging for collectors, however it has been warned that signs of slowing global growth were beginning to dent confidence. For more information, click here.

Getting insurance for camera equipment is that easy

With launching our new website, we have built in the ability for brokers and clients to get a provisional quote for their camera equipment online.

As a broker, to get a quote for your clients or as a client without a broker please click here.

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Cezanne’s Card Players Painting sold for record price of $250 Million to Royal Family of Gulf kingdom of Qatar.


One of Cezanne's best-loved paintings has been sold for $250 Million [160 million pounds], which is the highest price ever paid for a work of art. This came to my attention when mentioned by the commentators during the Commercial Bank of Qatar Masters Golf Tournament.

The Card Players, one in a series of five works depicting French peasants playing cards, was bought by the Gulf kingdom of Qatar.

The ruling royal family beat two of the world's top art dealers to win the masterpiece.

The price dwarfs the previous record of 89 million pounds (worth 99million pounds today) handed over for Jackson Pollock's painting, No 5, 1948, which sold during a boom in the art market in 2006, the Daily Mail reported.

Paul Cezanne, hailed as the father of modern art, painted The Card Players in about 1893.

It is one in a series of five depictions of Provencal peasants immersed in their game. They are considered some of the French post-Impressionist's most important works and often described as "human still life".

While the other four are all held in major collections, including one at the Courtauld in London, the painting bought by Qatar was the last in private hands.

It had long been near the top of list of the world's most coveted paintings but its owner, Greek tycoon George Embiricos, had always refused to part with it.

He changed his mind shortly before his death last year and it was sold in April to a mystery buyer amid rumours that it had fetched a staggering sum.

Qatar's royal family has been quietly amassing an enormous art collection. It is now regarded as the world's biggest contemporary art buyer.

The Cezanne is likely to be put on show in the Qatar National Museum, alongside works by Andy Warhol, Damien Hirst and Mark Rothko that have also been bought recently. (ANI)

For more detail also view:

Qatar Purchases Cézanne’s The Card Players for More Than $250 Million, Highest Price Ever for a Work of Art

The Card Players - Wikipedia

Founding partnership agreements of Apple sold at auction for nearly $1.6m

Apple's founding documents sold for more than 10 times their estimate

Earlier this month we focused in a post on the interesting value of a variety of items. BBC News reported on another interesting item sold on auction for 10 times the initial estimated price!!

Apple's founding papers have been sold at auction for $1,594,500 (£1.03m)

Sotheby's had estimated the three typed partnership agreements would sell for between $100,000 and$150,000.

The documents were signed by the firm's three co-founders, Steve Jobs, Steve Wozniak and Ronald Wayne on 1 April 1976. The papers include an amendment added 11 days later when Mr Wayne quit.

The buyer was Eduardo Cisneros, chief executive of Cisneros Corporation.

His Miami-based firm owns stakes in a range of businesses covering real estate, TV production and telecommunications.

Sotheby's said five other bidders took part in the sale.

The sale price includes a 12% buyer's premium paid to the auction house Sotheby's for holding the auction. That values the documents themselves at $1.35m.

The third man
The seller was Wade Saadi - founder and chief executive of the IT recruitment firm Pencom Systems.

He bought them from Mr Wayne in 1994 for "several thousand dollars".

The documents reveal that Mr Wayne was paid $800 when he decided to hand back his 10% stake in the firm. He later received a further $1,500.

Mr Wayne played a crucial role in the firm's creation, helping Mr Jobs convince his friend Mr Wozniak to leave Hewlett-Packard and set up the new company.

He was given a 10% stake in the company so he could act as a tie-breaker if the other two men had a disagreement.

However, Mr Wayne left the company after less than a fortnight because he was worried that if it failed his assets could be seized by Apple's creditors.

Instead he returned to the computer games maker, Atari, where he had first met Mr Jobs.

When interviewed by the Daily Telegraph last year, Mr Wayne said he was happy with his decision, despite the outcome.

"I felt the enterprise would be successful but at the same time there could be bumps along the way and I just couldn't risk it," he said.

"Would I like to be rich? Everybody would like to be rich but I couldn't keep up the pace. I would have been wealthy, but I would have been the richest man in the cemetery."

The auction is the latest evidence of the public's interest in Apple's history.

Earlier this week Amazon revealed that the biography of Steve Jobs was its best-selling title of 2011. The book was released in October following the death of the company's co-founder.

[Information from BBC News]

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Images from first Marilyn Monroe photo shoot sell for $352k

During November in a discussion on Art Insurance we reflected on whether photos have a value that is worth insuring. The blog post was titled "Can we and should we insure photos?" In this discussion we also recognized that photos sometimes have a lot more value than mere sentimental value.

The highest recorded price paid for a photo was the amount of $3,890,500 paid for a photo by Cindy Sherman. For more on the most expensive photos view "Is my best photo worthy of photo insurance cover?"

I came across an interesting story in the media yesterday revealing that images from Marilyn Monroe's first photo shoot have sold for $352 000 at an auction that included items from Lady Gaga and John Lennon. Julien's Auctions spokesperson Caroline Galloway told The Associated Press on Sunday that the Monroe photos - taken in 1946 when she was still Norma Jeane Dougherty - were the highlight of the Beverly Hills auction known as "Icons & Idols".

The photos come with negatives and the rare right to sell and distribute them. A judge in September ruled they must be auctioned to settle debts of photographer Joseph Jasgur.

A Lady Gaga dress sold for $31 250, and the prop gun used in her video for Born This Way went for $7 680.
A 1969 caricature John Lennon drew of himself and Yoko Ono went for $90 000.

[SAPA]

It appears that collectors are not afraid to dig deep in their pockets for some interesting items. Also view:

Large sums of money offered on auction for interesting insurable collectibles

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Art Insurance should protect from traffic related accidents

Large sums of money offered on auction for interesting insurable collectibles

When is an item insurable? An insurable interest exists when an insured person derives a financial or other kind of benefit from the continuous existence of the insured object. A person has an insurable interest in something when loss-of or damage-to that thing would cause the person to suffer a financial loss or other kind of loss.

These items are often far more interesting than your everyday painting or newly purchased motor vehicle. Sometimes we find a rather unique characteristic or event that pushes the value of the item far above our usual market value.

The past week featured some interesting stories in the media of some old but rather Interesting collectibles sold at auctions around the world.

Super price offered for Superman comic

It was reported from Philadelphia that a rare and pristine copy of the first issue of Action Comics, famed for the first appearance of Superman, has set a record on Wednesday for the most money paid for a single comic book: $2.16m.

The issue, graded at 9.0, was auctioned starting November 11 online at comicconnect.com. The starting bid was just $1 but there was a reserve price of $900 000. Neither the name of the buyer nor seller was disclosed.

It's the first time a comic book has broken the $2m barrier. The issue was published in 1938 and cost just 10 cents.

"When we broke the record in 2010 by selling the Action Comics No 1, graded at 8.5, for $1.5m, I truly believed that this was a record that would stand for many years to come," said Stephen Fishler, CEO of ComicConnect.com and Metropolis Collectibles.

'Legendary'

The previous record set in March 2010 was followed by the sale of another copy for $1m. But neither of those issues was in as good a condition as the issue that sold on Wednesday, though it's pedigree of setting records was already documented. Twice before it set the record for the most expensive book ever, selling for $86 000 in 1992 and $150 000 in 1997.

But in 2000, it was stolen and thought lost until it was recovered in a storage shed in California in April this year.

About 100 copies of Action Comics No 1 are believed to be in existence, and only a handful of those in good condition. [Sapa]

Killer price for killer car

Another interesting item sold was the vintage British racing car at the centre of motorsport's most deadly accident. This vehicle was sold for a record-breaking price - the equivalent of about R10.6-million - at a British auction.

The 1953 Austin Healey 100 Special Test Car was involved in the 1955 Le Mans disaster which claimed the lives of French driver Pierre Levegh - and 83 spectators. It had lain untouched in an English barn for 42 years.

Austin Healy sold for about R10.6m

The car, driven by Englishman Lance Macklin during the ill-fated 1955 race, was shunted by Levegh's vehicle which then fire-balled into the crowd.

How did the accident happen?

Here's how it was described in a contemporary news report: "French driver Pierre Levegh’s Mercedes-Benz 300SLR bumped a much slower Austin-Healy 3000 at over 150mph (about 240km/h) and went airborne, bouncing off an earthen bank. Careering end-over-end like a wounded animal, it leaped 20 feet into the air and crashed to the ground in flames breaking in two at the firewall whereupon the absolute worst began..."

The auctioned vehicle, which also competed in the 1953 24-hour race, was impounded by French authorities after the accident before being released back to the Donald Healey Motor Company 18 months later. It was then repaired and restored before being bought by Thursday's seller in 1969.

The car remained unrestored in the owner's barn until it was brought to auction at Mercedes-Benz World in Weybridge, south-east England. [Info from AFP]

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